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LA SÉLECTION · No. 62

15 November 2026

The Sunday perspectiveFREE TO READ
Alessandro Allori, Portrait de Bianca Cappello (1548–1587)
La Sélection No. 62 · Auctions from 16 to 22 November 2026

Dear Collectors and Connoisseurs, another heartfelt thank you to everyone who has already joined Le Cercle! Your enthusiasm is a wonderful encouragement. Since its launch, we have added searches by artist, period, medium or budget, favourite lots with optional reminders on the morning of their sale, and artist and keyword alerts. New discoveries appear almost daily, alongside standout results, archives and weekly updates. Our ambition remains the same: to make collecting more exciting and accessible, with the entire art market as our playground. This Sunday, we are delighted to present Maurice Dupuis (1882–1959), Old Façades (1906), an atmospheric charcoal drawing of Ghent. Awarded First Prize in 1906, it later belonged to Paul Eeckhout, director of the Museum of Fine Arts in Ghent, where it was exhibited in 1982. As always, discover our selection of upcoming auctions, standout results and the latest art-market insights. For those wishing to explore further, the collection of paintings and drawings, together with the research and advisory services of Poncelin de Raucourt Fine Arts, can be found at www.pdrfa.com. Happy reading!

PARTNER CONTENT · EDITION NO. 62

AUCTIONS IN THIS EDITION

Works worth looking at.

Alessandro Allori · Portrait of Bianca Cappello (1548–1587)01

Alessandro Allori

1535–1607

Portrait of Bianca Cappello (1548–1587)

Painting on poplar panel · 86 × 68,5 cm

Pousse-Cornet · 22 Nov 2026EUR 200,000–300,000

A distinguished example of late Florentine Mannerist portraiture, reflecting Bronzino's influence in the enamelled flesh tones and meticulous rendering of lace, jewels and brocade. Particularly striking is the painting's extraordinarily well-preserved appearance, which allows the refinement of Allori's courtly technique to be fully appreciated.

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Isaac Israels · A Lady Wearing a Hat and Veil in the Bois de Boulogne02

Isaac Israels

1865–1934

A Lady Wearing a Hat and Veil in the Bois de Boulogne

Watercolour on paper · 48 × 33 cm

Venduehuis Auctioneers · 18 Nov 2026EUR 20,000–30,000

Israels's fascination with Parisian modern life is distilled into fluid washes, sparse contours and the expressive use of untouched paper. Exhibited in 1974 and 1996 and reproduced in Reisel's monograph, the sheet also bears a portrait on the reverse.

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Alfons Walde · The Ascent of the Skiers, c. 193503

Alfons Walde

1891–1958

The Ascent of the Skiers, c. 1935

Oil on cardboard · 42 × 67 cm

Dorotheum · 17 Nov 2026EUR 450,000–700,000

One of Walde's most characteristic alpine motifs, reflecting the emergence of skiing as a defining feature of modern Tyrolean life. The simplified figures, monumental snowfields and striking contrasts of white and deep blue exemplify his distinctive approach to modern landscape painting.

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Adrien van Stalbemt et Peter Gysels · Allegory of the Five Senses04

Adrien van Stalbemt & Peter Gysels

1580–1662 / 1621–1690

Allegory of the Five Senses

Painting on cradled oak panel · 74 × 107 cm

Pousse-Cornet · 22 Nov 2026EUR 400,000–600,000

A rare collaboration between two Antwerp painters, combining van Stalbemt's elegant figures and landscape with Gysels's meticulously observed still life. The allegory reflects the Flemish culture of collecting and sensory exploration, notably through the depiction of a double-manual harpsichord inscribed with the name of Andreas Ruckers and dated 1619. Published by Klaus and Christa Ertz in 2018, the painting also retains a documented provenance extending back to its commission around 1650.

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Isaac Israels · Reclining Nude05

Isaac Israels

1865–1934

Reclining Nude

Oil on canvas · 102 × 153 cm

Venduehuis Auctioneers · 18 Nov 2026EUR 20,000–30,000

A freely handled reclining nude characteristic of Israels's painterly approach to the figure. Broad, fluid brushwork and warm contrasts of ochre, flesh tones and deep red lend the composition a striking immediacy, favouring spontaneity over academic finish.

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Gustave Doré · The Erecting of the Cross06

Gustave Doré

1832–1883

The Erecting of the Cross

Pen and black ink, brown wash and grisaille heightened with white gouache · 56,8 × 78,4 cm

Fraysse et Associés · 19 Nov 2026EUR 3,000–5,000

Doré's theatrical chiaroscuro and sweeping diagonal composition lend the Passion scene a striking dramatic intensity. Exhibited in 1885 and again in the 1932 retrospective, this documented sheet comes directly from the artist's estate and has remained in the family.

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Marten van Cleve l’Ancien · An Outdoor Peasant Wedding07

Marten van Cleve

c. 1527–1581

An Outdoor Peasant Wedding

Oil on panel, cradled · 69,5 × 106 cm

Lempertz · 21 Nov 2026EUR 120,000–130,000

Rooted in the Bruegelian tradition of Flemish peasant festivities, this composition is distinguished by its animated figures and finely observed details. Dr Joost Vander Auwera cites the assured underdrawing and pentimenti as evidence supporting execution by the master's own hand.

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Isaac Israels · Getting Ready for Ballet School, London08

Isaac Israels

1865–1934

Getting Ready for Ballet School, London

Oil on canvas · 91 × 72 cm

Venduehuis Auctioneers · 18 Nov 2026EUR 60,000–80,000

Dating to circa 1913–14 according to the literature, this London ballet-school interior exemplifies Israels’s fluid, spontaneous handling of figures and everyday life. Exhibited in Amsterdam in 1930 and reproduced in subsequent monographs, the painting is a documented example of his interest in the intimate world behind the stage.

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Antonio Canal, dit Canaletto · Lagoon Capriccio with a Ruined Arch Spanning a Canal towards a Pavilion09

Antonio Canal (Canaletto)

1697–1768

Lagoon Capriccio with a Ruined Arch Spanning a Canal towards a Pavilion

Pen and brown ink, grey and brown wash · 36,5 × 52,5 cm

Pousse-Cornet · 22 Nov 2026EUR 75,000–100,000

Compass-laid arches and a perspective study on the verso reveal Canaletto's architectural method. Related painted variants are documented in the literature. Charles Beddington and Bożena Anna Kowalczyk both endorsed the attribution following firsthand examination.

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Recent Standout Auction Results

Manner of Rembrandt van Rijn, 18th century · Portrait of a Lady in a Fur-Trimmed Coat and Hat

Manner of Rembrandt van Rijn, 18th century

Portrait of a Lady in a Fur-Trimmed Coat and Hat

Reeman Dansie Colchester · 11 November 2026

Estimate : GBP 500–700

Result : GBP 350,000 (hammer)

Catalogued as an eighteenth-century work in the manner of Rembrandt, this intriguing portrait sparked exceptional interest, despite its visibly restored condition. The remarkable £350,000 hammer price suggests that bidders saw considerably more potential than the cautious catalogue attribution implied. Several names associated with Rembrandt’s circle are circulating among collectors, adding to the intrigue surrounding the painting. We shall be particularly curious to see under whose precise attribution it next emerges on the market.

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Roman painter, 17th century · Portrait of a Man

Roman painter, 17th century

Portrait of a Man

Pandolfini Florence · 11 November 2026

Estimate : EUR 1,000–1,500

Result : EUR 31,000 (hammer, as reported in La Sélection)

An extraordinary result for a portrait catalogued simply as the work of a seventeenth-century Roman painter. The sitter’s direct gaze, flamboyant moustache and strikingly individual physiognomy give the painting considerable character. Such a dramatic premium suggests determined competition, with bidders clearly responding to qualities that the modest estimate had not anticipated. The anonymous attribution makes the result particularly intriguing, although no revised identification can be inferred from the price alone.

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Eugène Boudin (1824–1898) · Sky at Sunset

Eugène Boudin (1824–1898)

Sky at Sunset

Le Havre Enchères Le Havre · 11 November 2026

Estimate : EUR 800–1,500

Result : EUR 17,500 (hammer, as reported in La Sélection)

An exceptional result for this intimate pastel, which exceeded its high estimate by more than elevenfold, suggesting particularly determined bidding. Boudin’s delicate treatment of the evening sky, with its subtle transitions of colour and light, perfectly captures the atmospheric sensitivity for which he is celebrated. The presence of a signature and monogram, together with a certificate dated 1970 by Paule Caillac, may have further reassured buyers. The striking result demonstrates the appeal of a compelling work by an established artist, even on the smallest scale.

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Market News & Announcements

Museum Acquisitions · La Tribune de l’Art

For the latest museum acquisitions, we highly recommend La Tribune de l’Art, an indispensable reference in the field. Here are a few other noteworthy announcements from across the art market.

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New York · A $2.4 Billion Auction Week

Sotheby’s, Christie’s, Phillips and Bonhams enter November’s sales expecting at least $2 billion collectively, potentially exceeding $2.4 billion. Single-owner collections take centre stage, led by Sotheby’s Blaquier-Arrieta collection, valued at around $450 million and featuring major works by Van Gogh and Cézanne. A closely watched test of confidence at the top of the art market.

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Caravaggio · Two Possible Rediscoveries

Two Italian scholars have separately proposed new attributions to Caravaggio: a portrait sold at Dorotheum in 2017 for €3,810, and the long-lost Young Man with a Vase of Roses, reportedly found in a French private collection. Both attributions remain subject to scholarly debate.

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Dickinson · Titian, Rubens, Van Dyck

Dickinson announces Titian, Rubens, Van Dyck from 25 November to 18 December 2026. Including recently rediscovered works, the exhibition explores the transmission of Titian’s legacy to the two great Flemish painters and the artistic and cultural exchanges of the European courts in the sixteenth and seventeenth centuries.

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Colnaghi · Will Elliott Joins as Partner

According to Colnaghi’s Instagram announcement cited in this edition, Colnaghi Elliott Master Drawings will conclude its activities after four years, with Will Elliott joining Colnaghi as a partner. The announcement also notes the gallery’s sale of Gauguin’s Head of a Tahitian, a drawing from his first Tahitian period.

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Old Façades (Oude gevels)

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Maurice Dupuis

Old Façades (Oude gevels)

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